Budding urban culture (the jakarta post)

Alexandra Hansen , Contributor , Jakarta




Not a bad influence: French graffiti artist known as “RCF1” stands in front of his work.Not a bad influence: French graffiti artist known as “RCF1” stands in front of his work.

Quite often seen as street pests and vandals, young graffiti artists in Jakarta are using the canvas to show what they do is truly art.
Twenty-two young Indonesian street artists collaborated with well-known French graffiti artist RCF1 to create “Surface Activities: L’Art Dans L’espace Urbain”.
The exhibition, which was born from a workshop ran by RCF1 with hand-picked artists from the street-graffiti scene, features a number of works painted on canvas rather than street corners and buildings.
Originally, the workshop was to take place over two days, but RCF1 says the young artists were so dedicated and enthusiastic they were nearly all completed in just one day.
While the urban culture of graffiti is more of a western tradition, these young people felt it was important to let their Jakarta-style show through their art. The exhibition shows the urban street culture of the west is on the rise in Jakarta.
While many of the colors and shadings are just as pristinely conquered as any you might find in Melbourne or Brooklyn, the Jakarta style of graffiti art seems to have a much darker edge, and a greater distinction between light and shade.
Colorful blocks and tags fade into demonic creatures and fear-inspiring blank eyeballs.
Human heads are depicted resting on the ledges of bloody baths, while yellow and purple color schemes sit alongside it on the canvas.
The idyllic tags, or scribbles of an artist’s “street name”, are also featured, making a clear distinction between graffiti as a means to see your name in paint, as well as a means to convey a message.
“Indonesian Pride” can be seen scribbled in the paint, as it is seen on the flags of youth in the street.
The urban culture in the streets is strong, as is the artists’ pride in their country.
Some canvases seem more like comic strips than graffiti, with caricatures depicting Barack Obama and Britney Spears, aliens and police officers.
Urban art: One of the graffiti art pieces featuring in an exhibition at the National Gallery in Jakarta. Twenty-two young Jakartan and French artists are presenting their work.Urban art: One of the graffiti art pieces featuring in an exhibition at the National Gallery in Jakarta. Twenty-two young Jakartan and French artists are presenting their work.
Images of the devil and demonic creatures are quite prevalent, as are images of hantu (ghosts).
“Even though graffiti started in the west, we have our own style we are very proud of. As for technique and ability, RCF1 said we are not lacking when compared to the west, or any country which has had this kind of art form for much longer,” he said.
It is also important to note that these artists are just that: artists, he added.
“These kids are educated, talented artists with a message, they are not vandals.”
For the artists, it is important they convey a style that is uniquely Indonesian, he went on, adding artists were proud of the graffiti art in their own districts, be it Jakarta or Bandung.
The rise of the West: The graffiti artwork shows the urban street culture of the West is on the rise in Jakarta.The rise of the West: The graffiti artwork shows the urban street culture of the West is on the rise in Jakarta.

Well-known Indonesian graffiti artist in Jakarta, AshTwo, said he too liked to display the Indonesian culture in his art, and show the quality of the art here is just as good as anywhere in the west.

He mentioned he had painted a large mural in Singapore in a legal, designated graffiti art area where he depicted the slogan “Indonesian Style” to show off his heritage.

ASHTWO wants to travel all over the world displaying his art, and very much enjoys painting his own name in different colors and fonts.

“I like writing my name and being creative with it. You see your own name up in all those colors, it’s like you’re famous.”

His work is influenced by many “old-school” American artists, but with an Indonesian flair, he commented. He has been a big fan of RCF1 for a great number of years and was very excited at the prospect of working with him.

“I have great respect for him, he has been practicing graffiti art for about 20 years.” When asked if he approved of young artists painting illegally, he replied “maybe”.

“On the street, you make your own rules,” he said.

/FlatStreet/Art hoped the exhibition would inspire young people to be artistic, and to develop an interest in graffiti art, in an artistic rather than vandalistic way.

“It doesn’t have to be on a wall, it doesn’t have to be messy, it can be anywhere you like, be creative, use a canvas,” he said.

“In some countries, graffiti is not art, graffiti is scribble. But here, it is expressing something. It might not be with a brush, but it is paint, and it is an amazing expression of creativity.”


— Photos by Avril Holderness-Roddam


‘Surface Activities: L’art Dans L’espace Urbain’

Until Feb. 10, 2010

National Gallery
Jalan Medan Merdeka Timur
no. 14, Building B
Jakarta

And melt into nothingness



ashtwo 's sketch set

ashtwo

ashtwo X bartKL





rain again in Jakarta, we intend to do so in highscope, but the weather is not supported .. lolz, so we decided to do it at bartKL's house ...

DHO 121 X ASHTWO



mosquito attacks / ashtwo with k.segart

my another project with k-segart Jakarta, this time we raise the social issues about the dangers of mosquitoes. the stencil, this time we described the attacks of mosquitoes, which reads "WASPADA" or beware / alerts. This stencil is made aims to provide awareness of mosquito attacks that cause disease.








www.kampungsegart.blogspot.com

follow me

click the image to follow

ABILYKE NEW EP!! OVERTRUMP

abylike was a brainless-boy with high IQ and lots of idiot jokes.. spend too much times for drawing, hang out at KampungSegart and Goat skate shop.. formed an electronic based music group "Massive Until Morning" in 2007 and improving skills as a drummer for "Last Words Before I Die" please log on to http://lyke-rex.blogspot.com/ to know about him


ABILYKE - OVERTRUMP

track list:
- fourteen the introductionaires
- arabica
- as far as i can see
- overtrump
- exxit

download HERE

son of a beach

what a holiday, after an exhausting jogja, forwarded to one of the beaches on the island of Java, beers and fire works always accompany the new year last night, luckily I brought the paint, there is a building for the lifeguard on duty, so I decided to brush incised into the wall, yes it would, but there is a simple message from the picture, lifeguard for life (we were not heroes but we can save lives).





for the sake of existence


This is not about a change in myself, this is more like the maturing of a ashtwo who you know as a bomber, I like what I do now, that so I'll keep doing this and I would not care what people think about me, all that comes from within, saturation line system will be something that gradually become stereotypes of graffiti artists, not to try to change it, but just wanted to show that Indonesian culture has also applied the graffiti, I love graffiti and I do it myself, if I had to follow those words? once again I do not care, it is more like the satisfaction of the self, more subjective, making the work not to be judged well by others, but how this self enjoying what was done, so let it, do not limit myself to stay work, for the sake of existence until death.

untameable

i met you under the tree (acrylic on wood 60x 40 cm)

to whom i've never kissed


highway

the OGB( orang gila bau)



Jogja biennale X - 2009








About Biennale Jogja X - 2009

After approximately 21 years, after 9 times the event, Yogyakarta Biennale has become an art tradition that allows people to appreciate the development of aesthetic and artistic achievement of the principals of art in this city. Another thing that was always considered in the event biennale is a curatorial theme initiated want.

In this X Jogjakarta Biennale, curatorial themes set out from a real problem of art in this city, the memories so short that people will own history. The cause is one of the data management so weak, both individuals and institutions. Fragility of documentation becomes a critical point when the art building difficulty putting themselves in a broader context. That is why, Biennale Jogja X is a moment for the artist's invitation to read, interpret again the spirit of the time in every era of art history. The purpose of this biennale is not to collect records, but rather the artists awareness of the importance of the past that continues to have present.

If we flashback art Jogjakarta, then we will see a spirit that became his time marker. Populist humanism, has become the dominant marker in the spirit of the time Affandi, Hendra Gunawan, and Sudjojono beginners who are generations of modern art in Indonesia until the 1960s. ASRI who stood in the 1950s, could not also bring the discourse which then differentiate itself from the strong discourse in Bandung for example. In the new order regime, which woke up in the discourse of art also tend apolitical. Aesthetic forms that grow more dominant leading to the spirit of universal humanism with the strengthening of abstract art, decorative, and others. Later, we also know, "spirit" which has implications for the behavior and aesthetic choices, sued by later generations, as reflected in the "New Art Movement" and "Art Personality Is". Later, outside the world trend of art, the discussion of his "local" and to "global" in the 1980s has been dragged practices art Jogjakarta. In this case, the event Biennale Art of Painting I to Art Biennale Jogja IX can be used as a case study, particularly organizational problems its implementation. To the most contemporary practices of art can not escape from the urban culture and market trends.

From the reading of art history at the top of Yogyakarta, can be taken five (5) "spirit" or "paradigm" that major artists used to be a reference in the work, namely:

1. Humanism Populist

2. Universal Humanism

3. Resistance to aesthetic

4. Turbulence between global and local culture

5. Fine art based on the daily life of urban
Introduction curatorial

Things that distinguishes the city of Yogyakarta with other major cities in Indonesia is the pulse of art that so hard. There are no empty weeks without art exhibitions. Artists never run out of ideas for using various places as "gallery." No miss, even the ordinary citizen working in public spaces. This situation would be compared in a Javanese idiom, autumn mountain, where mutual cooperation, togetherness, still strong in the social process of artistic activity in Yogyakarta. These dynamics can also be described as a jam session in which each artist to each other in dialogue, sharing, and create in harmony creation.

Creative movement has spawned a monumental work and the discourse that marks the spirit of each era, such as humanism, democracy, universal humanism, resistance to the establishment of aesthetics, the unrest among the local and global culture, and urban art.

Jogjakarta X-Biennale 2009, titled "Jogja Jamming: Art Archive Movement" is a reflection of these dynamics. Reflection is poured in two practices, the artists interpretation of the spirit of the times in the archives and exhibitions. In this context, the meaning of the archive is not just an inanimate object, but also the memories that live in the present.

This practice presented by 126 artists who held interesting works in Taman Budaya Yogyakarta, Sangkring Art Space, Jogja National Museum. While the exhibition will be held in the archives of Bank Indonesia Building. Then more than 200 artists and city residents will melt together to respond to the corners of the city. At this point, the biennale is not just displaying works of art, but also space for the operation of a culture.

FAT 2nd anniversary ( Jogja )




i sticked it at Jogja










ashtwo X LyKe



abandoned ashwto x Muck (jogja)